Note: This episode addresses topics particularly delicate in light of this week’s faculty taking pictures in Texas. While Design Observer has never shied away from tough conversations, the editors acknowledge that this content could also be difficult for some listeners. Content Warning: Violence, Zap Zone Defender killing, and dying are mentioned on this episode. It can be exhausting to seek out somebody who wants to share space with a mosquito. Hence, the creation of the bug zapper. But as designers, how will we deal with what lives and what doesn’t? On this episode of The Futures Archive Lee Moreau and Sloan Leo go deep on how human-centered design doesn’t at all times mirror humanity. With further insights from David MacNeal, Juliano Morimoto, Spee Kosloff, Paula Antonelli, and Lindsay Garcia. There is a need for humans to exert their authority, however there can also be a need for us to exert our love. The factor that I hope we hold space for is: That is all observe because it’s not going to be resolved, and it shouldn’t be.

That may create some type of stagnancy. Life is definitely about holding area for dynamism, adjustments and cycles. Lee Moreau is President of Other Tomorrows, a design and innovation consultancy primarily based in Boston, and a Professor of Practice in Design at Northeastern University. Sloan Leo (they/he) is a Community Design theorist, educator, and practitioner. They are the founder of FLOX Studio, a community design and technique studio. David MacNeal is a author and the writer of Bugged: The Insects Who Rule the World and the People Obsessed with Them. Dr. Juliano Morimoto is an entomologist and lecturer at the University of Aberdeen in Scotland. Spee Kosloff is an affiliate professor of psychology at California State University in Fresno and co-writer of "Killing Begets Killing: Evidence From a Bug-Killing Paradigm That Initial Killing Fuels Subsequent Killing". Paola Antonelli is an creator, architect, and the Senior Curator within the Department of Architecture and Design at the Museum of Modern Art, as well as MoMA’s founding director of Research and Development.

Lindsay Garcia is an artist, scholar, and an assistant dean at Brown University. Kathleen Fu created the illustrations for every episode. An enormous because of this season’s sponsor, Automattic. Hi, everybody, that is Lee. Every week is a little different on this show. And this week, while we’re still speaking about design, we’re going to be talking about some fairly severe issues. And so I would like to make sure that everyone who’s listening is conscious of that is in a great place when they’re listening. And that i encourage you to examine our show notes prior to listening to the episode so that you perceive the context of what we’re speaking about and prepare ourselves a bit. Beyond that, Zap Zone Defender USA I welcome you to the dialog and i hope you discover this conversation as powerful as it was for us. And that i thank you for listening. Welcome to The Futures Archive, a present about human centered design the place this season, we’ll take an object, Zap Zone Defender USA look for the human at the middle and keep asking questions.

… and I'm Sloan Leo. On each episode we’re going to begin with an object with energy. Today the item is the bug zapper. We’ll look on the historical past of that object from our perspective, as designers who’ve executed work in human centered design. Not simply how it seems and feels and sounds and smells, but in addition the connection between that object and the people it was designed for… … and with different people too. The Futures Archive is dropped at you by the design group at Automattic. Later on, we’ll hear from Vanessa Riley Thurman, a member of Automattic’s Designer Experience Team. Sloan Leo, it’s fantastic to see you once more. Thanks for joining us. Lee, it is a thrill to be here. So I’m questioning-for this particular episode, I’m wondering if you could inform me just a little bit about your history as a child with bugs and insects. Where you this type of like, like kid that like cherished the creepy crawly stuff?